After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
After a daring mission to rescue Han Solo from Jabba the Hutt, the Rebels dispatch to Endor to destroy the second Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.Written by
(at around 14 mins) During the landing sequence, Kane issues the instruction "Roll 92 degrees port yaw." Roll and yaw are two separate directional axes. The correct instruction (and what the ship actually does) is "Roll 90 degrees port." See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
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The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the forward slash in A and the slash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »
Also included in the Director's Cut is a scene where the crew listen to the alien signal and discuss the nature of the planet just before they prepare to land. See more »
What makes Alien great is it's synchronization of sound, visuals and showing great attention to detail. Not only that but Alien has an unnerving atmosphere right from the beginning. We're introduced to a crew who is not exactly too friendly to each other add to that the ship. It's huge, and with its halls and corridors it feels almost like a maze.
Enter Alien, a ruthless parasite with humanoid form yet it lacks any civilised traits of a human. It does have humanoid form but it doesn't give a single emotion. The design of the monster is what's the most terrifying (and it still holds up despite Alien being released in 1979). The creature is also better adopted to the ships interior making a big part of movie feel like a sinister game of cat and mouse.
What I particularly like is how the characters are written. They are not Hollywoodized heroes, in fact there is no hero. They're just people which makes them even more threatened. The performances are all equally realistic and do deliver. Kudos to director Ridley Scott for using crafty cinematography and combining it with shadows and lights in an eerie way. The music is unrelenting and combined with Scott's cinematography, sound and visuals it adds to the eeriness.
The plot is also not another Hollywoodized cliché. It's more like "survival of the fittest". The characters battle true terror as they race to survive or outlive each other, they're all just a part of a race to see who will prevail and who will die.
Final Grade: 10/10
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